11/24/2023 0 Comments Catullus poem 49 meter and scansion![]() With the last remark about the purpose of this variety, Pliny indicates that even his leisure is a form of canvassing the variety of his moods provides an image of the varied audience before which he performs and which his variety solicits.ģ2. his iocamur ludimus amamus dolemus querimur irascimur, describimus aliquid modo pressius modo elatius, atque ipsa varietate temptamus efficere, ut alia aliis quaedam fortasse omnibus placeant" (Ĥ.14.2-4). Sending a copy of his hendecasyllables to a friend, Pliny describes their variety as a product of the variety of his leisure and of the changeable exhaustiveness of his character: "Accipies cum hac epistula hendecasyllabos nostros, quibus nos in vehiculo in balineo inter cenam oblectamus otium temporis. Quantum illis leporis, dulcedinis, amaritudinis, amoris! inserit sane, sed data opera, mollibus levibusque duriusculos quosdam, et hoc quasi Catullus aut Calvus" (ġ.16.5). On Pompeius Saturninus: "Praeterea tacit versus, quales Catullus meus aut Calvus. Of Sentinus Augurinus, which gave Pliny much pleasure and even awakened his admiration: "Multa tenuiter, multa sublimiter, multa venuste, multa tenere, multa dulciter, multa cum bile" (Ĥ.27.1). Catullus' art is classical insofar as it "snips at nature and sews it back together again without falsifying it" (35), and so, according to Veyne, the elaborate game that the elegiac poets play with the reader becomes what one might call a postlapsarian activity. This positioning of Catullus in relation to the elegiac poets reflects Catullus' role within the Roman pantheon, which I will address in the next chapter: the perfect balance between artifice and naturalness that Veyne sees in Catullus' art sites the elegiac poets in relation to an unsustainable Catullan poise. ![]() Heard by its readership, which judges it by the standards of mimetic truth. That is why this magisterial art gives such an impression of naturalness" (34, re c.8). The poem is set in real time, it is spoken as it is being lived. Of sincerity: "The Jealous Man is on stage, and we come in on his monologue. Veyne excludes Catullus from this kind of analysis unlike the elegiac poets, Catullus produces an
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